Sunday, December 21, 2014

Stocking Stuffers for Your Dancers



It's that time of year again. The air is chilled, the holiday decorations are going up, and your dancer is probably very excited for the upcoming holidays. So what is your dancer looking for in his or her stocking? We have some great ideas for the essentials your dancer may be wanting for the holidays.


Monogrammed Camelbak Water Bottle NEW COLORS!! 25oz.

  • Customized water bottle! Take an eco-friendly stand this holiday season. You can cut back on the endless cases of plastic water bottles with a super cute water bottle that your dancer is sure to love. Plus they fit perfectly in a stocking! (Click here for the ones pictured)

  • Really cool fake eyelashes! And by really cool we mean full of glitter and rhinestones and maybe even unconventional colors like purple or blue.


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  • New half soles! Half soles tend to have short lives. Why not get your dancer a practice pair that is a bright color or has a unique pattern! (Click here for the ones pictured)


    • New black spandex shorts! Your dancer probably has a ton of black booty shorts, but one more pair never hurts. Plus it might be time to get rid of the faded ones or the ones that are a little too small.


    • Two words: Yoga legwarmers! These sock/ legwarmer/ stirrup tight combination are perfect for dancers on mornings when the studio is cold. They allow simultaneous grip and warmth while being super cute. (Click here for the ones pictured )

    • Small, portable speaker! Dancers love to have a speaker with them at competition. They can just plug their music in (or link it via Bluetooth) and practice their dances wherever they can find a spot. Any dancer would love to find this in their stocking.

    Monday, December 1, 2014

    7 Minutes = Clean Dance Bag

    Is your dance bag disgusting? We have an exclusive list of the things you do and do not need to keep in your dance bag. It's time to clean out that bag and keep it that way for good. So take the next 7 minutes to go through your bag and use this as a checklist.

                                          What you'll need: 
    • 2-3 dryer sheets
    • Air freshener
    • Paper clip
    • 3 sandwich or snack size ziploc bags  
    • Permanent marker
    • Snacks
    • Filtering water bottle (optional)

                                                     What to Do:

    1) Unzip all the pockets of your bag, turn it upside down and shake vigorously. This should shuttle all of the contents straight to the floor.

    2) IMMEDIATELY throw away whatever was inside of your bag that made you gag after dumping it. (Trust me, you don't want to be smelling that 3 week old half of a sandwich for the rest of the night.)

    3) Take all unpaired dirty (maybe even crispy) socks to the laundry room and start a load.

    4) Place dryer sheets on the bottom of your bag. Generously spray bag with air freshener (scent of your choosing). These should help control your nasty foot stench.

    5) Place all necessary shoes in your bag as pairs. Tie laces from each shoe in a bow so you can pull them out as a pair. If you have jazz or tap shoes without laces, put one shoe inside of the other so they stay together. If you have half soles, use a paper clip to keep them together. When you need to wear them, simply attach the paper clip to the strap of your bag so you can re-clip them after class.

    6) Label plastic bags with permanent marker as follows: Bobby pins, Hair ties, Safety pins. Sort the mess of these items on your floor into their appropriate bags, zip the top of the bags, and place in the front pocket of your dance bag. If you don't want to buy bobby pins and hair ties every two weeks STOP THROWING THEM INTO THE BOTTOM OF YOUR BAG and just place them into their ziplocs.

    7) If you do not have a makeup bag, get one (or use another ziploc). Put all your makeup in this and keep it in the same pocket as your bobby pins, hair ties, and safety pins. Put a brush and/or comb and small bottle of hairspray in this pocket as well. Also for everyone's sake, put an extra deodorant in there.

    8) Add snacks to one pocket of your dance bag so you don't have a plethora of granola bars floating around your shoes. Don't forget to pack a water bottle. I suggest one with a filter so you don't run out, you can keep refilling it!

    9) Anything else that is still on your floor cannot go in your dance bag. Either throw it away, or find a better place for it. Chances are, it's just cluttering the thing up.

    Voila! Your dance bag is clean, and you now have a system to keep it that way!

    Sunday, November 23, 2014

    The Secret to Higher Jumps

    Ever wonder how fantastic dancers manage to float during grand jetes? Well the secret has to do with an exercise method called plyometrics. Plyometrics help athletes learn how to generate a lot of force in a small amount of time. (Sounds like a leap, right?) With these plyometric tips, your jumps are sure to be leaps and bounds above your competitor's.

                          

    • Box jump training. It only makes sense that to jump higher, you have to practice jumping. Hit the gym and start working on box jumps. To properly execute a box jump, you must pick a box that you are sure you can get both feet onto. A box that is too high poses the possibility of missing your feet and subsequently knocking your teeth out. Make sure both your feet land on the box at the same time and that your body is in the same position as when you took off. You should work yourself up to higher boxes with less time between jumps.

    • Lunges. A plyometric lunge adds diversity to your workout and will help condition your body to leap higher. Try scissor lunges. Start in a 90 degree lunge, jump up and switch the leg you have in front so you can land in the opposite 90 degree lunge. Your explosiveness from this position will translate well into your leaps. These lunges will also improve the muscles needed for switch leaps.

    • Prancing! When doing prances or petite jetes across the floor, try to focus on height and not just getting to the other side of the room. These simple jumps are what prepares your body for the real deal, the grand jete. Doing baby jetes will get your muscles ready for the full split you want to do in the air.

    • Strides. This is an easy exercise. You want to cover an area of ground (perhaps across the floor) in as little steps as possible. This allows your legs to become accustomed to splitting in the air, but recovering quickly. This will help you develop a beautiful line mid-air.

    • plyometrics, plyometric drills, parkour plyometrics, jumping, jumping drillsplyometrics, plyometric drills, parkour plyometrics, jumping, jumping drills
    • Step up! Find a ledge or box knee height (or higher if you really want a workout). Place one foot on it as if you are going to step onto it. Then push off the raised leg so that you jump and fully extend that leg. Catch yourself on the ledge using the same leg you placed on it, and slow your ground leg to the ground by resisting your body weight. Be careful when landing these because they pose risk of knee injury if not done properly.

    Sunday, November 16, 2014

    10 Signs That You Are A Dancer

    1. You know "one more time," actually means at least three more times.



    2. Whenever you sit with your feet under a table, you are tapping away.


    3. A grand plie or extended ponche is the only way you pick things up off the floor.


    4. You do full split leaps over anything that gets in your path.


    5. The kitchen is your favorite room because the floor is perfect for turning (not to mention that your counter is a built in barre).


    6. You're aware that hallways are the best place to practice your across the floor exercises, especially shenae turns.


    7. Whenever you spend the night with your dance friends it ends in a contest to see who has the best arches, splits, turnout, etc.


    8. You know everyone's solo songs by heart! (And don't hesitate to belt them out while you're watching them practice.)


    9. You know there are little eyes on you every time the tiny ballerinas are around because you're one of the "big girls."

    10. Your dance bag is stuffed to the max and could be considered a deadly weapon if you turn around too quickly.


    Sunday, November 9, 2014

    Perfect the Pesky Pirouette

    Pirouettes are one of the most iconic dance moves. Every dancer can use these tips to perfect and nail your pirouettes every time!


    • Increase core strength. Tight tummy muscles are essential for keeping your balance and landing your pirouette with finesse. Getting and maintaining a cut core will make turning infinitely easier. The rest of the body stems from your core, so its strength is necessary for exceptional pirouetting.
    • Balance, Balance, Balance. The key to whipping out multiple turns is in your ability to balance. Practice standing on releve while going about your daily business. Cooking dinner? Perfect time to see how long you can hold your posse. The more you practice your balancing the more muscle memory you'll  build. Good muscle memory makes turning a breeze.
    • SPOT! Perhaps the most important piece of turning is knowing where you are. Spotting (looking at the same spot for as long as possible) will lessen dizziness and help you stay in sync with your fellow dancers. Also remember to keep your eyes up. If you're looking at the ground, that's where you'll end up.
    • Use your plie! A proper preparation is necessary for a clean turn. Utilize a wide base of support when preparing. You should push off your back leg to achieve a high releve and the momentum needed to complete however many turns you want to do.
    • Don't psych yourself out. When you are going for a turn make sure you commit. Let the only option in your mind be perfect pirouettes. Don't worry about gravity pulling you to the floor. Focus only on the perfect, and that's what you'll get!

    Sunday, November 2, 2014

    Fall Reads Dancers Need

    Looking for a good book to compliment your hot apple cider this fall! Check out some of these perfect reads for dancers! There is likely something for every interest in this group of books.

    Dance Anatomy
    by Jacqui Green Haas

    • This book is perfect for dancers that want to improve their flexibility and muscle tone. There are over 200 colored photographs that accompany 82 exercises to help dancers. Injury prevention and proper breathing techniques are among the many topics Haas details in this book.
    Winter Season: A Dancer's Journal by Toni Bentley
    •  Follow Toni Bentley through her difficult journey of growing up in the New York City Ballet. This autobiography is described as, "perhaps the closest that most of us will ever come to knowing what it feels like to be a dancer, on stage and off." This story is fitting as we head into the cold winter months.
                                            Bunheads by Sophie Flack                                                  
    •  This fictional story follows nineteen-year-old Hannah Ward as she faces the difficult decision of committing her entire life to dance or striking out on her own in the real world. A decision that many teenage dancers can relate to as dance classes begin conflicting with social activities. This is a beautiful and realistic story about what dancers sacrifice to make it in the dance world.
    Dancing for Degas by Kathryn Wagner
    •  Inspired by the Impressionist artist, Edgar Degas, this work of historical fiction follows a dancer named Alexandrie in the City of Lights. She goes to the city to join the Paris Opera Ballet in hopes of making enough money to support her farming family. In the meantime she finds herself falling for talented Degas. Will she risk everything to be the star of the company?
    We B*Girlz by Nika Kramer
    •  Take a step away from the world of ballet with this collection of photographs and anecdotes about the girls who were apart of the B-boy movement. This book tells the true story of "Rokafella from the Bronx," who currently is a professional dancer, as one of the founding B-Girlz. Stunning photography makes this book extremely interesting.


    Sunday, October 12, 2014

    DIY Dance Costumes to Halloween Creations

    Everyone has a closet full of old dance costumes lying around just begging to be worn again. Why not turn them into Halloween wear. These cheap and easy DIY costumes are sure to get you noticed on October 31!


    Got a tutu? Go Zombie or Goth. Last year's ballet costume can easily be made into a zombie ballerina or even a goth ballerina. White face paint and dark eye-makeup (even a little gore if you're into that) easily transform a beautiful ballerina into a scary zombie or goth chick. Add fishnets and combat boots to sell this unexpected look.


    Floaty Lyrical Costume? You're a beautiful fairy. Get another use out of the sparkly tulle dress. With a simple pair of wings and beautiful makeup you can be flitting around on Halloween like a wood sprite. Not to mention you'll look absolutely stunning.

    What about my black leotard? Flashdance!!! Every dancer has a black leotard for ballet class. Pair this with a wide necked gray sweatshirt, black tights, and legwarmers and BAM! a cute, last-minute costume. As an added bonus, this costume is very comfortable!

    Weird Contemporary Costume? Lady Gaga it is. Dress up one of those weird unitards from a contemporary routine and decorate it with random objects from around your house. You could make an old pair of gloves into a hair accessory and cover the rest of your outfit with hand prints. There is so much room for creativity with this one. Don't be afraid to go wild, Lady Gaga never holds back.

    Sunday, September 28, 2014

    Get your splits in 15 minutes! (and keep them!)

    A stretching routine that will improve your flexibility and increase turnout! Plus you only need 15 minutes per day! What dancer could say no to that?
    •  Put on your favorite music! Pick a fun song that will get you in a good mood like “Shake it Off” by Taylor Swift. The yoga station on Pandora is also a prime choice if you’d rather relax into your stretching. It doesn’t matter what you choose, this music should be something you enjoy.

    • Start with fluid movements, not static stretches. To begin stretching use yoga’esque moves that incorporate your whole body and a full port de bras. Stand with feet shoulder width apart, circle arms to the side and over your head then smoothly dive down towards your feet. Move slowly and gracefully to obtain the most from this stretch. This sequence should be repeated for about 2 minutes or until your hamstrings loosen up.

    • Lunge it out! Dancers love a good deep forward lunge. This is one of the best ways to stretch out the entirety of the lower body. Hamstrings, calves, and quadriceps are all stretched when in a deep lunge. Remember to keep moving by rocking in your stretch. Sitting motionless in a stretch is not as beneficial as moving. This makes sense because when dancing you are more likely to move through a flexibility movement than sit in it for an extended amount of time. Alternate the legs you lunge on every minute, and do each leg a total of 2 times.

    •  Don’t forget the glutes! A great stretch for you booty begins in child’s pose (sitting back on your knees with arms extended forward on the ground). Next shift weight from left to right while pushing your bottom as far back as possible. Do this for about a minute.

    • Work that turnout. There are many exercises out there for turnout. Some are very beneficial while others pose a great risk for injury. A safe and effective turnout stretch can be done at the barre or your countertop at home. Simply stand on your left leg with your left side facing the bar (the left hand can be used
      for balance). Pull the right foot into posse and apply pressure to the right thigh by pushing it backwards with your hand (you can also have a partner help you). Hold for 15-30 seconds and switch legs. Do this a total of two times per leg.

    • Now the fun part… SPLITS! Hold the splits on one leg for two minutes straight then repeat on the other side. To finish hold your middle splits for two minutes. To improve turnout, lay on your back with your bottom touching a wall and let the weight of your legs stretch you. You can also sit with your legs in second and feet on the wall. Then use your hands to push you closer to the wall.

    This routine is a quick and easy way to get your splits. If you do it every day (before bed, or to start your day) your flexibility and turnout will improve drastically! Good luck!

    Monday, September 22, 2014

    Finding that perfect shoe!


    Finding that perfect shoe! (Your feet will thank you!)
    There are so many different brands and types of dance shoes on the market. With all these options it can be overwhelming to choose the best shoe. Keep these tips in mind, given by the CEO of Dancing Fair, when purchasing dance shoes:
    • "Fit.  Dance shoes should not only be the correct length and width, but also the correct shape for the dancer’s foot." This means ensuring that the shoe completely covers the balls of the dancer’s feet. If the shoe has a stiff sole (like a hip hop shoe) check that there is adequate arch support. If there is not enough support, a small arch supporting insole, which can be purchased at any pharmacy or box store, can be an easy fix.

    • "Function.  The shoe should be the made to the specification of the dance style." If a dance has a lot of fast footwork, a secure shoe is important. They should have straps or elastic which will help hold the shoe securely to the dancer’s foot.

    • "Materials.  The shoe needs to have the proper structural integrity to support the specific style of dance." A rubber sole will prevent slipping and will grip the floor more, but a leather sole will help a dancer turn with ease. Smell is also a concern because certain materials like rubber and neoprene will hold odors.

    • "Design.  The shoe needs to have “The Look” for the style of dance and work well with the overall costume." Having shoes that match the color of the tights are essential to continuing the line of a dancer’s leg. The best way to do this is to purchase tights and shoes from the same company because they have consistent color schemes.

    • "Price.  The cost of the shoe needs to be addressed and in many cases you get what you pay for. " The materials used and where the shoe is made can determine the price and quality of the shoes. Leather shoes are pricier, but they will last longer. However, it may be wiser to invest in canvas shoes for dancers with constantly growing feet.

    • Fun. Shoes that are colorful or have a unique pattern (even hand-painted) make dance a little more enjoyable. While these shoes are not likely to be part of a group costume, they can be worn to conventions and master classes and will help the dancer stand out. 
    **A special thank you to Matt Schroepfer C. Ped. for the featured quotations!


    Sunday, September 14, 2014

    POW! Ways to make your solo pop!


    POW! Ways to make your solo pop:
    Every soloist strives to be in the top of their category. These simple tips offer great ways to make you stand out as a soloist outside of excellent technique.


    • Proper use of props 
    Props can be great assets to a solo performance, but sometimes they can be a little over-the-top and hokey. To make sure props are being used effectively, make sure they are used throughout the dance. All too often soloists walk on with a prop, use it for an eight count, and never touch it again. 
    • Fun, dramatic make-up

    Play up your eyes. A bold cat-eye with rhinestones at the tips is a great way to highlight your eyes and bring some sparkle to your performance. The typical bright red dance lip is always a classic choice. You could also switch it up with a bright pink or a deep wine red.

    • Unique hairstyle
    The top bun has become standard, to stand out try a classic French twist, or add a braid to your usual bun (Pinterest has endless braided bun tutorials). Leaving your hair down is a refreshing choice as well. Be careful with this though; try the half-up approach so you don’t end up with a mouthful of hair after a series of turns. 



    • Transitions are key 
    Oftentimes dancers want to focus only on the big moments in their solos: the leaps, turn sequences, and tricks. They forget about the choreography that falls between these, and the dance looks choppy as a result. A fluid solo is much more appealing to the eye. Using your pliĆ© through important moments helps improve fluidity. The energy of every movement should originate in your back and extend beyond the tips of your fingers. The best way to insure that you have smooth transitions is to go through your solo count by count and make sure each count has an action.
    • Commitment
    This is perhaps the most important aspect of making your solo memorable. Because there are many solos at every competition, this is where you have the chance to really stand out with the judges. No matter the style of solo, you should be comfortable with the story you are portraying and your place in it. Sell this to the audience and judges. Remember it doesn’t hurt to make eye contact with the judges. It is way more fun to watch a soloist with believable facials than an emotionless technique zombie onstage. Remember, unforgettable soloists are the ones who exude confidence and understanding of their piece. 

    Sunday, September 7, 2014

    Juggling Back-to-School and Dance Class

    Juggling Back-to-School and Dance Class

    The transition from a fun-filled summer back into a full-time school year is difficult for all students, but dancers in particular are trying to remember their dances, material they may have forgotten over the summer, and everything else their instructors are asking. These tips offer ideas to make that transition easier and less stressful for everyone involved:

     
    • Make a homework schedule. With adequate planning students can make a homework schedule that works with their dance classes. For instance, before dance class I will finish my math worksheets. When I get out I can study for my test tomorrow. This will ensure students can focus on both their dancing and their schoolwork.
  • Dance class is fun. While homework is unarguably important, the stress it brings should not come to dance class. Remind students that dance is not a place to worry about the test they have on Friday. Dance time should be focused on dancing, improving, and having fun because dancing in itself is an excellent stress reliever. Leave that tension in the waiting room.
  • Eat energy packed foods. Nothing is better for a dancer than eating a healthy diet. Foods that offer energy give dancers the power to make it through both long school days and full rehearsals. Protein-packed breakfasts of eggs or whole-grain cereal are perfect ways to start off the day. Snacks of nuts and dried berries offer bursts of energy. Avoid the drive thru line and giving your dancer a PB&J on wheat bread or a tuna salad instead. And perhaps most importantly, staying hydrated keeps dancer’s minds and bodies on point.
  • Get plenty of sleep. A well-rested mind and body equals a happy dancer. The recommended 7-8 hours of sleep per night helps improve concentration in both school and dance class.
  • Take Epsom salt baths. This is multi-tasking at its finest. After a particularly challenging class, nothing feels better than soaking your muscles. Adding a cup or two of scented Epsom salt into a bathtub full of water helps reduce swelling in aching muscles. A lavender scented salt will help the mind unwind. In addition, bath time is also a great time to study. Instead of relaxing with a good book (which isn’t out of the question) try cracking open those Chemistry chapters you were supposed to read.



  • What are some of your best strategies for relieving stress and balancing dance and school?